Pedro Laurenz (1902-1972) was a pioneering figure in the world of Argentine tango, primarily known as a bandoneonist and composer. His role as an orchestra conductor, although less prominent, should not be underestimated. Laurenz was a bandoneon player of exceptional technique, displaying equal mastery of both hands (treble and bass), producing a bright sound, energetic touch, and passionate phrasing. He founded a school of bandoneon execution with his distinct style.
Born in Buenos Aires at the beginning of the 20th century, he spent his childhood in the culturally diverse neighborhood of Villa Crespo, where native "compadritos" and "malevos" coexisted with immigrants from Spain, Italy, Jewish, Arab, and Turkish communities. This vibrant backdrop influenced his music.
As a child, Laurenz initially studied the violin but switched to the bandoneon in Montevideo, guided by his older brothers Félix and Eustaquio. He gained recognition playing with Luis Casanovas' orchestra and later Eduardo Arolas' ensemble, performing at the Moulin Rouge cabaret.
In 1925, he joined Julio De Caro's sextet, marking a significant turning point in his career. Laurenz's collaboration with the revered Pedro Maffia resulted in legendary recordings. In 1934, he established his own orchestra at the "Los 36 Billares" café, bringing innovation to tango instrumentals. His rendition of "Arrabal" in 1937 is considered a turning point in the golden era of tango.
Laurenz recorded for various labels throughout his career, with his most iconic compositions including "Mala junta," "Amurado," "Risa loca," and "La revancha." He was also part of the renowned Quinteto Real, which aimed to revitalize tango with rhythmic innovations. His contribution as a composer remains a significant part of tango's rich heritage.
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